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Barnebys HQ
Brahegatan 10BOX 5038114 37 Stockholm
Arabic bronze mortar, cylindrical in shape, decorated with oriental
Ottoman saber known as a “pala.” Handle made of light-colored horn.
Pietro di Cristoforo Vannucci, called il Perugino
VUILLARD, Edouard. (1868–1940). “Portrait of a Man with a Hat.” Charcoal
NOËL, Jules. (1815–1881). “Peasant Near a Large Oak Tree.” Pencil
French Pair of Pascal Mourgue Aluminum "Cinna" Lamps
GARROUSTE, Henri. (Born in 1890). “Mediterranean Seashore.” Oil on
FRAPPA, José. (1854–1904). “Marriage of Affection” and “Marriage of
Hubert DAMELINCOURT. (1884–1917). “Portrait of a Woman.” Oil on canvas
LENOIR, Paul-Marie. (1843–1881). “Bathers Pulling Elegant Ladies onto
BAUMANN, J. ECOLE DU NORD, late 19th century. “Pair of still lifes
SYMBOLIST SCHOOL. “The Dance.” Pastel drawing with highlights in watercolor
LE THI LUU. (1911–1988). “Portrait of a Young Woman with a Fan.” Oil
HUANG Dashen. (Attributed to). “Portrait of a Young Asian Woman.”
MAILLART, Diogène. (1840–1926). “Preparatory Sketch for *The Model
JENDRASSIK, Jeno. (1860–1919). “Portrait of a Woman.” Pastel, signed
BRENOT, Pierre Laurent. (1913–1998). “Young Girl Posing.” Watercolor
GUINEGAULT, Georges. (1893–1982). “Reclining Nude Model.” Signed oil
BY Amedé de la Patellière. (1890–1932). “Nude Model Posing.” Signed
GIRODON, Gabriel Charles. (1884–1941). “Still Life with a Flute and
STENN, Henri (1903–1993). “Vase of Flowers.” Oil on canvas. Signed
VERBRUGGHE, Charles-Henri. (1877–1974). “Country Bouquet.” Oil on
DAYNES-GRASSOT, Suzanne. (1884–1976). “Seated Nude Model.” Oil on
BERONNEAU, André. (1886–1973). “Mediterranean Seashore.” Oil on cardboard
WATINE, Nicolas. (1946). “Still Life with Lemons.” Oil on canvas
STENN, Henri. (1903–1993). “Scene Along the Marne.” Signed and framed
VENARD, Claude. (1913–1999). “Sailboat Returning to Port.” Signed
GRISOT, Pierre (1911–1995). “Flowers and Fruit.” Oil on canvas, titled
LAPICQUE, Charles. (1898–1988). “Characters.” Large drawing in India
KIJNO, Ladislas. (1921–2012). “Composition.” Oil on crumpled paper