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Barnebys Magazine

LatestEditor's picksTopics
Magazine/Painting/Twombly Fetches $17 Million at Christie's Amidst Market Fluctuations

Twombly Fetches $17 Million at Christie's Amidst Market Fluctuations

Christie's 21st Century Evening Sale broke new records for emerging artists, while blue-chip artists were met with waning interest.

November 13, 2023Giulia Zileri Dal Verme
Cy Twombly (1928-2011), Untitled (Bacchus 1st Version II), acrylic, oilstick and crayon on wood panel, in artist's wood frame, executed in 2004. Photo © Christie's (detail)

Cy Twombly (1928-2011), Untitled (Bacchus 1st Version II), acrylic, oilstick and crayon on wood panel, in artist's wood frame, executed in 2004. Photo © Christie's (detail)

Christie's much-anticipated 21st Century Evening Sale, held on November 7 in New York, brought a mix of surprises and uncertainties to the art market, leaving industry observers with only modest relief amid ongoing market instability in 2023.

Related: Emily Fisher Landau's $400M Collection Sets New Auction Records

The auction, which was estimated to be worth from $93 million to $134.2 million, brought in $88.4 million ($107.5 million with fees). As reported by The Art Newspaper, the results challenged conventional wisdom about buyers' priorities in 2023, as young and relatively unproven artists stole the spotlight while blue-chip lots by established artists faced challenges.

Stephanie Heinze (b. 1987), Third Date, oil and acrylic on canvas, painted in 2020. Photo © Christie's

Ultra-contemporary artists, including Stefanie Heinze, Jenna Gribbon, Sanya Kantarovsky, Reggie Burrows, and Henry Taylor, exceeded expectations, all surpassing their estimates.

Jia Aili (b. 1979), Combustion, acrylic on canvas, in three parts, painted in 2016. Photo © Christie's

Artists' records were set for two young artists. Jia Aili's 2016 triptych, Combustion, sold for $3.9 million, more than doubling its high estimate and establishing a new auction record for Aili. Jadé Fadojutimi's A Thistle Throb, from 2021, sold for $1.4 million, also more than doubling its high estimate and marking a new auction record for Fadojutimi.

Jadé Fadojutimi (b. 1993), A Thistle Throb, oil and acrylic on canvas, painted in 2021. Photo © Christie's

Despite high anticipation, bidding for the most awaited lots slowed down. An untitled Basquiat, initially estimated at up to $15 million and backed by a house guarantee and third-party irrevocable bid, was hammered at $10 million, meeting only its low estimate.

Related: The Basquiat Boom: His 5 Most Expensive Paintings

Jean-Michel Basquiat (1960-1988), Untitled, acrylic and oilstick on canvas, painted in 1981. Photo © Christie's

Several well-known artists experienced underwhelming results, with a Keith Haring painting selling for $2.2 million, falling short of its its $3.5 million estimate. Similarly, works by George Condo and Yayoi Kusama also underperformed, each selling for below their estimates.

Related: Keith Haring's Last Apocalyptic Years

Cy Twombly (1928-2011), Untitled (Bacchus 1st Version II), acrylic, oilstick and crayon on wood panel, in artist's wood frame, executed in 2004. Photo © Christie's

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The auction's top lot, Cy Twombly's Untitled (Bacchus 1st Version II), sold for $17 million after only a few bids. The 2004 painting, which featured the artist's well-known scribbles in red and a text inspired by Greek mythology, proved to be an impressive sale. Yet, the hammer price of $17 million (approximately $20 million, including buyer's fees) fell below the initial estimate of $18 million to $25 million.

Find more articles in Barnebys Magazine

21st CenturyContemporary artChristie'sCy TwomblyModern Art

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About the author

Giulia Zileri Dal Verme

Giulia Zileri Dal Verme is the Global Senior Editor at Barnebys Magazine. She read Classics at Oxford University and studied Art Business at Sotheby’s Institute of Art. Her research focuses on the intersection between cultural practices and visual art, with a keen interest towards the ancient world. She is engaged in the auction market and particularly fascinated by London’s thriving art scene.

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Giulia Zileri Dal Verme

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